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Cutting Room Floor: Composer Jonathan Dove
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Cutting Room Floor: Composer Jonathan Dove

The British composer unpacks what makes some stories inherently operatic—and why he could 'smell' music when he read Jane Austen's Mansfield Park but not when he read Emma

Known for the accessibility of his musical style, Jonathan Dove is one of the most frequently programmed British composers. He is also one of the most open-minded, having taken musical inspiration from subjects ranging from Pinocchio to Princess Diana. So I was delighted when, two and a half years ago, I was asked to speak to him about Itch, his new opera for teenagers, based on the science fiction book by the Radio 2 presenter Simon Mayo.

I remember getting lost and flustered on my way to the interview, one humid summer’s day in 2023 - but that quickly evaporated on arrival. Housed in a former Victorian school in east London, Dove’s elegant and minimalist flat exuded a sense of calm - and so did the composer himself. Over several rounds of Earl Grey and Rooibos tea, he dissected the topic of opera with quiet rigour, contemplating what it was exactly about a subject that rendered it operatic.

In this snippet from the interview, Dove considers how music can take over where language leaves off, citing two of his previous operas - Mansfield Park and Flight - as examples.

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